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Pressestimmen

An extraordinary achievement (Graham Greene)Brilliantly detailed, moving, powerful and gripping ( The Times )Thomas Keneally has done marvellous justice to a marvellous story ( Sunday Times )Keneally is a superb storyteller. With SCHINDLER'S ARK he has given us his best book yet, a magnificent novel which held me from the first page to the last (Alan Sillitoe)This remarkable book has the immediacy and the almost unbearable detail of a thousand eye witnesses who forgot nothing ( New York Times Book Review )

Werbetext

Winner of the Booker Prize and international bestseller

Alle Produktbeschreibungen

Produktinformation

Taschenbuch: 432 Seiten

Verlag: Sceptre (28. Dezember 2006)

Sprache: Englisch

ISBN-10: 9780340936290

ISBN-13: 978-0340936290

ASIN: 0340936290

Größe und/oder Gewicht:

13 x 2,8 x 19,7 cm

Durchschnittliche Kundenbewertung:

4.3 von 5 Sternen

15 Kundenrezensionen

Amazon Bestseller-Rang:

Nr. 35.411 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

Schindlers Liste - wer kennt den Film nicht? ist ein sehr wichtiges Buch über einen der wenigen Deutschen, auf den man mit Recht Stolz sein kann, zwischen 1933 und 1945 das Richtige getan zu haben. Das Buch war die Grundlage für den Fim Steven Spielbergs und erst nachdem man den Film gesehen hat, kann man die Größe des Regisseurs und des Films ermessen. Die Vorlage, dieses Buch, ist alles andere als mitreißend, es ist zurückhaltend gefühlvoll, die Emotionen entstehen im Leser - grundsätzlich nicht schlecht, jedoch hätte ich den Film nicht gesehen, ich würde das Buch nicht lesen wollen. In manchen Teilen ist das Buch wenig mehr als ein Geschichtsbuch, ähnlich einem erweiterten Auszug aus Wikipedia. Wenn man den Film hat, muss man das Buch nicht mehr lesen - auch wenn man es gerade dann lesen will. Hoch anzurechnen ist dem Autor jedoch, dass er sich der Geschichte angenommen hat - vor seinem Buch gab es meines Wissens kein anderes Werk über Oskar Schindler.

Es lohnt sich wirklich dieses Buch zu lesen.Am besten mit dem Film von Spielberg vergleichen.Wirklich spannend, ein echter turn pager.

This is Thomas Keneally at his best. The chance meeting with a Schindler Jew in a Los Angeles shop made a book, then a movie, then a global project to catalogue the stories of Holocaust survivors. It took Spielberg and Hollywood to bring the story to the screen but it was Keneally and his evocative text on the life of Oskar Schindler that bought the story to the world. His choice to use the texture of a novel works well. As the author said himself, this seemed the best way to handle a character with the ambiguity and magnitude of that celebrated Sudeten charmer.But a novelist's approach also makes it easier to convey meaning, to explore and probe every shadow, each emotion, any nuance. Keneally's gift is to do this well. The highlight of the book is his brilliant study of Oskar and Amon, good with bad, the German bon vivant versus the Dark Prince. Like two heads of the same coin, Keneally shows nobility and evil as uncomfortably close bedfellows. There go I but the grace of God...Keneally has a well-deserved reputation as one of Australia's greatest writers, but the forces this book has set in train, perhaps, have not been fully acknowledged. Fortunately, for a select group of southern Polish Jews in World War II, a saviour was in their midst. Fortunately, for those that followed, there was a writer who saved the saviour's story for us all.

[My last review was botched in transmission. Please forgive the resubmission.]The Holocaust is a difficult topic to deal with as subject matter for a work of art; its horrors have been explicitly brought to light countless times in several different formats and knowledge of these horrors has pervaded our society such that nearly everyone has been exposed to them in some way or another. In order to tell an effective story about the Holocaust, one must do more than shock the reader with the evils that took place in concentration camps or Jewish ghettos--this has been done once and for all by those who lived through it. In Schindler's List, Thomas Keneally goes beyond such shock value by telling of the profound goodness that emerged--from such unspeakable evil--in the character of prison camp Direktor Oskar Schindler and his Schindlerjuden.In his telling of the story, Keneally's sure-handed prose adds credibility and its occasional delve into the poetic adds great emotional weight. The effect of such a telling is that of a slow toxin that siezes the reader by the heart and squeezes to the point of anguish, leading to a novel that is both deeply moving and absolutely believable.As for the story itself, Keneally focuses mostly on the actions and ambitions of Schindler, leaving the horror stories recessed in the background, creeping around the edges. When such evils are brought to the forefront of the tale, they are potent and real, but somehow serve more as chiaroscuro to the divine goodness of Schindler's deeds. Thus it is that much more effective when Schindler spends every bit of his entire life's fortune to literally buy life for as many of the Jews as he possibly can. When all is said and done, Keneally has done no less than consecrate the sanctity of life by weighing its importance against that of essentially meaningless things such as money.Schindler's List, by telling the story of a good man living in such evil times, has become an important addition to Holocaust literature.

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